Setting. Every story is set somewhere. Even if the background is just plain white, that’s still a setting. The setting is the backdrop for the actions of your characters, and depending on your story can be an integral part of the narrative. Characters. You need actors for your story. Your characters move the action, they speak the dialogue, and they are who the reader connects with. Develop your characters over time; this is especially important for strips that form longer narratives. Conflict. Every story needs a conflict to drive it. This is the basis of the story, the “why” of what your characters are doing. This can be as simple as checking the mail or as complex as saving the universe. Themes. The theme of your comic is what drives the day to day creation. Your theme will also dictate your audience. If you’re writing a comedy strip, what are the nature of the jokes? If you’re writing a love story, what are the lessons of love learned? Tone. This is the vibe of your comic. Are you writing a comedy? Is your story more of a drama? Maybe you’re looking at doing political cartoons. Your possibilities are endless. Combine comedy with drama, make it dark, or light-hearted. Write a romance, or a gripping political thriller. Your tone will be expressed through dialogue, narrative text, and visuals.
Experiment with various styles until you find one that feels natural to draw and to write for. There are a variety of popular styles that you can practice and then adapt to your own needs. Here are just a few examples: Anime/Manga American Superhero Sprites/Clip art Noir Stick figures Sunday funnies Dramas usually necessitate a more elaborate visual style than a comedy. There are exceptions to this, however, as with every rule when it comes to creating something.
A single frame comic is typically reserved for comedy. These comics do not require much setup, and rely on visual gags and one or two lines of dialogue. It can be difficult to form a narrative using single frames, so most can be read in any order. Political comics are also typically one or two frames. A comic strip is a sequence of frames. There is no set length for a strip, though most are usually one or two lines of 2-4 frames each. This is one of the most popular formats for many webcomics and daily funnies, as they allow for narrative development but are still short enough to produce regularly. A comic page is a larger undertaking than a strip. Having the whole page to work with provides more freedom to manipulate frames, but also means you need more content per page. Creating full pages is typically the result of making a comic book or graphic novel, where you are telling a longer, more cohesive story.
Write your script as a sequence of frames. Treat each frame as a separate scene to help you manage the flow of the story. Make sure that the dialogue does not dominate the frame. Comics are a visual medium, and so a lot of your action and implied meaning will be coming through in the illustrations. Don’t let the text overpower the images. [1] X Research source
Focus on how characters will be placed in the frame, where the action is occurring, and how the dialogue will fit in the drawing. Once your thumbnails are drawn, you can try swapping their order or making adjustments to change the impact of the strip.
Thought bubbles for a character’s inner thoughts Narration boxes allow a narrator to set up a scene or describe some aspect of the story. Sound can be displayed through the use of sound effect words. Exclamations can occur outside of regular speech bubbles to add extra impact.
If you are looking to create a comic to be published in a newspaper, the standard size is 13” x 4” for the entire comic, with four 3” frames. Newspaper strips are drawn at double the actual printed size, so the finished comic would be 6” x 1. 84”. Working at double size makes it easier to draw details. [3] X Research source Web comics can be any size you would like, though you should keep in mind the typical viewer’s display size. If you make your comic visible on a monitor with a resolution of 1024x 768, most users will not have an issue. Many viewers will not enjoy scrolling left and right in a web page to view a comic. Keep this in mind when laying out the comic. Scrolling up and down is typically much more acceptable.
Make sure to take the space needed for your dialogue into account. Leave blank space to include dialogue bubbles, thought bubbles, narration boxes, exclamations, and sound effect words.
If writing dialogues by hand, add them now. Make any final revisions to the dialogue and text as you add it to the page. Chances are things will change as they make the transition from script to comic.
Scan your picture in at 600 DPI (dots per inch). This resolution will keep your drawn lines intact and crisp looking. [4] X Research source If your comic is too large to scan at once, scan sections of it and use the lasso tool in Photoshop to move and combine the frames back together. When scanning black and white images, make sure to choose the grayscale options. This is especially important for pictures with lots of shading.
Create a font that complements the tone of the writing as well as the visual style. You can also use different fonts for different characters, though too many variations can become distracting.
Your text layer should be on top, followed by the bubble layer, followed by the original drawing on the bottom. Open the Blending options on the bubble layer. The Blending option will create an outline of the speech bubble at the end of the process. Select Stroke and set the following options: Size to 2px Position to Inside Blend Mode to Normal Opacity to 100% Fill Type to Color Color to Black Enter your text on the Text layer. This is the text that will go inside the bubble. Use the font you created above or select a font appropriate for your visual style. Comic Sans is a popular font. Select the bubble layer. Use the Elliptical Marquee tool to create a selection bubble around the text that you wrote. Place the cursor in the center of the text, and hold the Alt key while dragging the mouse in order to create an elliptical selection bubble that is evenly placed over the text. Select the Polygonal Lasso tool, and hold the Shift key while clicking to create a sharp triangle tail in the selection. Select White as your foreground fill color. Press Alt + del to fill the selection on the bubble layer. The outline will automatically be created when this happens, and the speech bubble is complete.
More and more comics are being colored through digital means. Programs like Illustrator and Photoshop make the coloring process much less tedious than in the past. Remember that the reader will see both the entire comic and individual frames at the same time. Try to keep a cohesive color palette throughout your comic to keep frames from being distracting. Use a color wheel to make sure that the colors you pick work together harmoniously. A color wheel helps when confronted with the millions of colors available on modern computers. Colors opposite of each other on the color wheel are complementary. These colors are high contrast, and should be used in small amounts to avoid becoming overbearing. Analogous colors are located next to each other on the color wheel. These are typically very pleasing sets of colors to the eye. Triadic colors are three colors evenly spaced around the wheel. Typically you would use one color as the dominant color, and use the other two for accents. [5] X Research source
Send the links to whoever you want, post them on your social network feeds, tweet the URL to anyone who will read it. Find comic enthusiast forums and post your links for people all over the world to see.
Interacting with other artists on DeviantArt can give you new ideas and perspectives on your own creations.
Create a website that looks good. If the website does not function properly and does not match the aesthetic of your comic, you will drive users away. Take some time and look at how successful web comics have integrated the style of the comic into the website design. Have your website designed professionally. This can be cheaper than you think, especially if you enlist the aid of up-and-coming designers. Use resources such as DeviantArt to find a like-minded person who will help you design your web comic page. Update often. The point of a web comic is to keep people coming back. Set a regular update schedule for yourself. If readers know when to expect the next release, they will often come back even without you advertising it. Interact with your readers. Beyond simply updating the page with new comics, take some time and write blog entries and respond to reader comments. This will help advertise you as the creator and form strong bonds between you and your audience.
Creators Syndicate King Features Syndicate Washington Post Writers Group Tribune Media Services United Feature Syndicate
DC Comics Image Comics Dark Horse Beyond the major publishers, there are numerous independent publishers that are always looking for new submissions.
If you want to improve your writing style or expand the type of styles you can write in, start with reading. It is important because it helps to know the styles of different people. For example, you can note what they did with their dialogue or setting. [7] X Research source Take writing classes and listen to podcasts. They will help to improve your writing style. [8] X Research source Attend workshops. There are countless workshops for writers. You can also join writing groups and associations. [9] X Research source
